Z.B. ARMSTRONG
Untitled, 1990
Tin can, glass jar, plastic plates, wood, styrofoam, cardboard, marker, nail
dimensions variable
Zebedee ARMSTRONG is an African American folk artist known for his intricate, often boxlike calendars designed to predict the end of the world. Following in his father's footsteps, Armstrong spent much of his life picking cotton on the Mack McCormick farm. After his wife passed away, he started working at the Thomson Box factory, staying there until his retirement in 1982.
In 1972, ARMSTRONG claimed an angel visited him, warning that the end of the world was imminent. Taking this message to heart, he dedicated himself to creating a calendar to predict this event, working tirelessly day and night.
ARMSTRONG’s creations are detailed and multifaceted, featuring boxes, lids, compartments, inserts, and handles. He added various dimensions, irregular surfaces, and angles. Some components are circular or resemble clocks, and he frequently incorporated dials and notched pegs to signify the passage of time. Many of his objects are painted white and inscribed with words or abbreviations to provide guidance. He meticulously marked every surface—top, bottom, sides, inside, outside, and on each insert or component. He methodically integrated months, days, and years, both written and numbered, into his designs. The visual impact of ARMSTRONG’s work is profound, creating a seamless blend of past, present, and future. His art has no disconnection, no clear beginning or end, reflecting his dedication to capturing the flow of time.
Z.B. ARMSTRONG
Untitled, 1990
Tin can, glass jar, plastic plates, wood, styrofoam, cardboard, marker, nail
dimensions variable
Zebedee B. ARMSTRONG, aka Z.B. Armstrong (1911-1993), was an outsider artist from Thomson, Georgia best known for his doomsday calendars.
His work appeared in “Passionate Visions of the American South” in 1993. In 1997 his work was part of the exhibition “The End is Near” at the American Visionary Art Museum in Baltimore. Z.B. ARMSTRONG’s work is in many permanent museum collections including the Birmingham Museum of Art and the Morris Museum of Art.
12/47