06.06-15.09 2024
Participating artists
Z.B. ARMSTRONG
ZUZANNA BARTOSZEK
VARDA CAIVANO
SAM CONTIS
JARID DEL DEO
LOUISE DELANGHE
GEORGIA DICKIE
GEORGIA ELROD
EMILY FURR
ELIAS HANSEN
MARC HUNDLEY
TERENCE KOH
KINKE KOOI
SADIE LASKA
JB MURRAY
MARTA NADOLLE
ALEXANDRA NOEL
JACQUELINE PEETERS
ELLE PEREZ
JOANNA PIOTROWSKA
KAY ROSEN
ATARU SATO
PIETER SLAGBOOM
SHOGO SHIMIZU
REINA SUGIHARA
CYNTHIA TALMADGE
CLEMENCE DE LA TOUR DU PIN
B. WURTZ
In Leo Tolstoy's “What Men Live By,” (1885) an angel is sent to fetch the soul of a dying woman, who has just given birth to twin girls. The Angel, decides to spare her life so she can care for her babies. God takes her soul anyway and punishes the angel’s disobedience by sending him to live on earth as a human until he learns what distinguishes the life of mortals from that of angels.
Finding himself freezing and naked, the angel witnesses a poor shoemaker first ignore him but then turn back to rescue him. Bringing him home, the shoemaker persuades his reluctant wife, who knows they lack even bread for the next day, to take the wayfarer in. “We will all die”, he says, and suddenly love enters her heart. And this is the angel’s first lesson—“in man dwells love,” and the nature of human love is that it costs something and often goes against our own needs.
The angel becomes the shoemaker’s assistant. When a frightening “man of iron” orders boots to last a year, the angel, who foresees the man’s imminent death, makes funeral slippers instead. He thereby learns his second lesson, that uncertainty governs human life. Unlike angels, people can never be sure of God’s will or even that He exists. And because people cannot know the future, they mistake their own needs.
When the angel encounters the woman who, out of sheer compassion, adopted the orphan girls whose mother the angel tried to save, he learns his final lesson: although people imagine they live by their own efforts, they really live because of human love. Mortal ourselves, we see our mortality in others. When people truly love, the sense of death is never absent. Far from destroying life’s meaning, death creates its distinctive value and the special kind of love that people live by.
What Men Live by is part of a collection of 20 folk stories. Other folk stories include How much land does a man need. A Grain as Big as a Hen’s Egg and the Anti-war story, The Empty Drum.
What Men Live By is the third project in a series developing alternative models for online exhibitions, setting new directions for artists, exhibition makers and viewers.
For What Men Live By, 27 artists were invited to illustrate Leo Tolstoy’s 1885 short story of the same name. Their works have been carefully inserted into a photo reproduction of the first 1888 English translation of the book, published by Thomas Y. Crowell & co (Boston), annotated with the artists’ writing and work descriptions.
What Men Live By offers a historical and philosophical framework. Tolstoy propagated the belief that transformation can occur within an individual, solely through introspection and evaluation of one’s own experiences throughout life. What Men Live By as an exhibition offers a chance at understanding how much of the individual and how much of love remains today, in times of rising global conflict. What Men Live By questions, tests and expands the potential of love on both a personal and broader scale.
Featuring the work of 27 artists, this illustrated version of the book hopefully inspires new insights into how artists envision love today, and how we succeed or fail at giving or recognising true love for ourselves and the world.
The exhibition will be live from June 6 thru September 15th 2024
Our previous online exhibition can still be viewed at chambres-d-amis.com
We would not have been able to realize this project without the help and support of: Zuzanna Bartoszek and Galeria Stereo (Warsaw), Varda Caivano and Mendes Wood DM (Brussels), Sam Contis and Klaus Von Nichtssagend Gallery (New York), Jarid Del Deo, Louise Delanghe, Georgia Dickie and Cooper Cole Gallery (Toronto), Georgia Elrod, Emily Furr and Sargent’s Daughters (New York), Elias Hansen, Marc Hundley and Canada (New York), Terence Koh, Kinke Kooi, Sadie Laska and Canada (New York), JB Murray and Cavin-Morris Gallery (New York), Marta Nadolle and Galeria Leto (Warsaw), Alexandra Noel and Derosia (New York), Jacqueline Peeters and Annie Gentils Gallery (Antwerp), Elle Perez and 47 Canal (New York), Joanna Piotrowska and Galeria Dawid Radziszewski (Warsaw), Kay Rosen, Ataru Sato and Kosaku Kanechika (Tokyo), Pieter Slagboom, Shogo Shimizu and No Gallery (New York), Reina Sugihara and Misako & Rosen (Tokyo) and Arcadia Missa (London), Cynthia Talmadge and 56 Henry (New York), Clemence de La Tour du Pin and Galeria Wschod (Warwaw) and B. Wurtz!
Photography and digital imaging: Pieter Huybrechts
Typography: Jef Cuypers
Produced with love by Office Baroque